Honey Boy (2019)

One of the most polarizing and notorious actors to come from the Disney Channel has been none other than Shia LaBeouf (The Peanut Butter Falcon) who has proven that when he is on point in his acting that there is no one like him. He started out on Disney on the show Even Stevens before landing the dream role in Transformers which led to more fame. That in turn led to him having some trouble in his past that brings him to this very point in 2019 when Amazon released the biographical film Honey Boy which was written by LaBeouf and directed by Alma Har'el (Bombay Beach). The film follows child actor Otis Lort (Noah Jupe) as he tries to navigate through a stormy time in his childhood that leads to his ultimate destruction as an adult. This in turn leads him to have to face up to his past while he spends some time reflecting in rehab. The film also stars Lucas Hedges (Three Billboards Outside Ebbing, Missouri) as Adult Otis, LaBeouf as James Lort, Byron Bowers (Loiter Squad) as Percy,  Laura San Giacomo (Sex, Lies, and Videotape) as Dr. Moreno, FKA Twigs as Shy Girl, Natasha Lyonne (American Pie) as Mom, Maika Monroe (It Follows) as Sandra, Clifton Collins Jr. (One Eight Seven) as Tom, Martin Starr (Knocked Up) as Alec, and Graham Clarke (Lucifer) as TV Dad.

After watching the film, it's definitely easy to see all of the factors that went in to making Shia who he became. Shia did such an amazing job in the film, but if you think about it how much work did he have to do to get into the role of his father. The one thing that I can say is that mentally it must have been hard to do because it would bring back so many memories, but at the same time it has to be therapeutic to let it all go. Shia is an underrated actor in Hollywood and when he puts his mind to it, he does amazing things. My favorite film of his in 2019 was The Peanut Butter Falcon, but this one is definitely right up there. While I have to give Lucas Hedges credit for the role and the amazing job he did playing the rotten child star all grown up, but how do you go from being a brunette to a red head in adulthood? That part was a little bit confusing for me and what was the deal with the same chicken over the course of the film other than the fact it was a wild and un-tamable creature like himself. If you are a fan of Shia LaBeouf and you want to know a little of what he was dealing with as a kid then definitely give this film a watch. I loved the grittiness of the cinematography because it kind of had that documentary look to it while being melancholic in look as well. With that being said, I am going to give the film an B+ for a final grade.

One Eight Seven (1997)

Back in the late 1980's there was this movement of making films that focused on teachers or principals who were thrown into very stressful situations and how they overcame it to be the heroes of the day (e.g. Stand and Deliver & Lean On). Well, that was the 1980's because in the 1990's it was all about the teacher actually fighting back against the thugs instead of trying to change them as seen in today's film One Eight Seven (& The Substitute). The film stars Samuel L. Jackson (Avengers) as Professor Trevor Garfield, a teacher who survived being stabbed nine times by a student in Brooklyn. Now we fast forward 15 months later moves to Los Angeles where he is now a substitute teacher. The only problem is that he runs himself into the same situation as he did in New York, but this time he decides to fight back. The film also stars the late John Heard (Home Alone) as Dave Childress, Kelly Rowan (Candyman: Farewell To The Flesh) as Ellen, Clifton Collins Jr. (The Last Castle) as Cesar Sanchez, Tony Plana (¡Three Amigos!) as Principle Garcia, Karina Arroyave (Lean On Me) as Rita, Lobo Sebastian (Next Friday), Jonah Rooney (ER) as Steve Littleton, and the film was directed by Kevin Reynolds (Robin Hood).

One of the things I liked most about the film were the various tones used in the film. In the beginning when we are setting up the picture for the rest of the film, the flashback is very blue with lots of grays almost indicting a cold and dark memory. The rest of the film is very bright almost as if there is this conflict that just keeps building like tension that isn't going away. I love it when filmmakers employ those kinds of tactics because it definitely helps set up the mood. This is a very 90's styled film with the way the music comes in as if it's more than just a song for a soundtrack, but more of an aesthetic like it's part of the scene. The other 90's aesthetic is just the overall look of the film which is just chaotic in my opinion and it works in my opinion like it's not clean cut. Now as far as the acting is concerned, Samuel L. Jackson hits it right out of the park, but his perfect companion in this film for sure was Clifton Collins Jr. who absolutely stole the show. You kept wondering throughout the whole film why is Jackson's character not laying into this kid? I honestly thought that Lobo's character was going to be the main villain in the film, but it's always the next guy in line that is even worse. The funny thing is the last scene you see that Collins's character was the only one who felt macho and had to be down with the gang life as every one else just liked acting tough. One thing is for sure, I am a huge fan of John Heard and I appreciate everything that he had done, but this was an OK role for him. I loved the way he was for most of the film, but when he got over the top during the drunk scenes I was like you lost me. It's a gritty in your face kind of film that just reeks of 1990's subject matter as education was a huge topic in those days. I am going to give the film an B for a final grade.